A tragic hero, according to Aristotle, must evoke emotions from the audience, must squeeze it on his faults at the end of the novel, and must be large teeming to be appropriate for tragedy. Northrop Frye refers to these requirements when he says, Tragic heroes are so much the highest points in their human landscape that they seem the indispensable conductors of the power about them, great trees more likely to be struck by lightning than a clump of grass. Conductors may of lam be instruments as tumefy as victims of the divine lightening. He understands that a tragic hero, like Willy Loman in Death of a Salesman, by Arthur Miller, is more likely to be brought down than a common man because of his tragic flaw and that such a downfall will destroy himself as well as others around him.
Willys reluctance to accept the fact that he cant earn the American dream locks him into a world of lies, delusions, and self-denial. According to Fuller, he is...a self-deluded man who has lost the power to distinguish between cosmos and the obsessions that come to dominate his life. His American dream consists of easy achievement and money. It is very important that he be well wish and uses this to measure other peoples status and their success in life.
For example, in the beginning of Act Two he describes that he is firing to form his own business that will be ...bigger than Uncle Charley! Because Charley is...not - well liked. He has an inflated sense of pride and is more have-to doe with with appearances than principles. His inability to face the actualities of his life causes him slowly to lose his capture on reality. At times he realizes that he has not succeeded as a salesman, but is unable to place...
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