Concept Of Positve Psychology On The Movie Pursit Of Happiness

Client s NameDateProfessor s NameCourseIntroductionHistoric on the wholey , the Statesns have flocked to theaters to find happiness believe and superstares in film . Film producers were enormously successful at picture in audiences and shake audience . In new-fangled historic period , however close to movies have been more than depressing than inspiring . Their quality has been mediocre at vanquish . Nevertheless , a few movies of this decade have modest away from averageness and provided America with cinematic superstares The bump intoking of felicitousness is one of these . therefore , it is one of the few movies of this decade that has the latent to remain relevant to viewers in decades to comeThe Pursuit of Happyness differs from another(prenominal) movies , partially because it subscribes to well-nigh of the my ths that the old , classical films of prior decades followed . In addition to this , the Pursuit of Happyness portrays sadness and frustration , with away scaring or depressing its audience . moreover , it is funny , with let step forward being frivolous . Mean magic spell it is aesthetical , while at the same time realistic . topper of all , it is inspiring . It is the sort of film Americans can font to for politesse and hope that is sadly lacking in most of today s filmsThe MythsAccording to Sociologist Herbert J . Gans , until the 1950s , movies were the main staple of America s amusement diet (Gans , 1964 br.327 . At that time , says Gans , Hollywood films followed a unique(predicate) formula , which consisted of four myths . The first is what Gans calls moral attack aircraftism (Gans , 1964 ,.327 . which involves a hero striving to bring approximately nifty or loving justice in a lawless leave . The second , which Gans labels y extincthfulness , is the myth that young people had to need past an err! oneous notion that their elders were wrong to bring ab stunned their goals (Gans , 1964 ,.327 .

The third Gans labels romance , which suggests that the best reward a hero can achieve is the love of someone attractive and lovable . The fourth and perhaps the most powerful , Gans labels the Justification of favorable mobility (Gans , 1964 ,.327 . According to Gans , this is the myth that people can pursue wealthiness without being corrupted by it (Gans , 1964 ,.327Departure from the formulaThe films of the 90 s depart from these myths . Films desire American Beauty have no real hero . No man striving for a soci al near(a) . Instead the main character spends most of his time attempt to seduce his high-school-aged daughter s friend . Love is not a reward worth inspectking for anyone . The things that American Beauty s characters see as beautiful are a bag in the street , a dead man and sex . Children do not gain a better respect for their elders . and so , at the end of the movie , the adults are painted in a much worse light than the children One turns out to be a gay Nazi , another turns out to be having an affair that is both silly and revolting . The crack nearly becomes a pedophile Social mobility is not a goal for...If you want to get a full essay, niner it on our website: OrderCustomPaper.com

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