The fracturing of solid form into numberless brushstrokes can be seen strikingly in Autumn effect at Argenteuil, which was exhibited in the set-back Impressionist Exhibition in 1874. The striking contrast amid golden foliage and bright blueing water is incredible without the example of Japanese prints. In Hiroshiges The Monkey bridge deck in Kai Province the blue water is framed unsymmetrically by gold and green planes, just as Monet hemmed the blue water between golden trees and reflections that are shadowed with green. In the print, luminous planes of iridescent orange-pinks represent autumn foliage; Monet built his from myriad touches of variegated orange-yellows. Hiroshiges image was printed in subtly modulated yellow, green, blue and orange-pink; Monet has used 2 scales of colour â€" blues, heightened by luminous tinted whites, and orange-yellows with tinges of green.
2) Painting Title: La Promenade (La Promenade, la femme à lombrelle - Woman with a parasol) 1875
Claude Monet
About the La Promenade Painting
Monet painted several versions of the woman with parasol or umbrella.
They are romanticized visions of a time gone by, even in the 1800s. when he was a teenager before his military service.
3) Haystacks
Light is always the whiz character in Monet landscapes, and because his purpose was always to seize a changing effect, he adopted the practice to paint the aforesaid(prenominal) subject under different conditions of light, at various hours of the day.
He started to paint the series of the haystacks which he continued over two years. Monet painted them in sunny or gray weather, in the fog or glazes of snow: Haystacks, effects of snows, morning (1890), Haystack, give the sack of the summer, morning (1891), Haystack to laying down sun constraining to Giverny (1891).
Waterlilies
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