Theatre HL Theatre Arts Research Investigation Essay Example for Free

Theatre HL Theatre humanities Research Investigation EssayResearch Question Which methods could a theatre company use fleck performing denim Anouilhs Antigone, keeping true to and supporting the style of the Theatre of the amusing?Theatre of the Absurd is a term that was coined by Hungarian-born theatre critic Martin Esslin, who made it the title of his 1962 book on the subject. It is refers to a particular style of theatre and the work of a number of mainly European playwrights, mostly indite in the 1950s and 1960s. These plays are all related through the theme of the Absurd, first presented in this guidance by the French philosopher Albert Camus in his 1942 essay, The Myth of Sisyphus in which he deals with the meaninglessness and askewity of the human populace and states the belief that living has no purpose. Subsequently he poses the question if the realization and acceptance of this particular must necessarily result in suicide.You can see a clear reflection of th is prospect in Esslins definition of the Theatre of the Absurd as that which strives to express its sense of the senselessness of the human condition and the lack of the rational approach by the open abandonment of rational devices and discursive thought. The most well-know absurdist playwrights are Samuel Beckett, Eugene Ionesco, Jean Genet, Harold Pinter and Arthur Adamov.It is believed that the uprising of this philosophical movement during this specific cartridge holder period was triggered by the death, grief and pure blow brought upon the people by World War II, which demonstrated the total brevity of any values and emphasize the precariousness and arbitrariness of human life. The population of Europe had been experiencing terror, hunger and disease on such a traumatizing level of the trench war outlying(prenominal)e and the holocaust, that they lost all hope in humanity and faith in their god. Thats why this philosophy of meaninglessness developed because people fai take to see any reason in life anymore. The psychic trauma of living under the threat of nuclear annihilation has probably also had a great effect on the development of this new form of theatre.Although World War II is thought to cast been the catalyst for his movement there are a number of predecessors which are thought to have contributed to its development. Theatre of the Absurd is thought to have originated from the ancient Greece between 550 and 220 BCE from what was know as Old Comedy, especially from playwrights such as Aristophanes. In Old Comedy there was a satirical treatment of interior(prenominal) situations and myths on society, politics, literature and the Peloponnesian War that was happening between Athenian Empire and the Peloponnesian league, led by sparta.The Absurdist plays share many of these most important characteristics extensive comedy, mixed with horrific or tragic images unconventional dialogue full of clichs, wordplay, and nonsense characters caught in hopele ss and illogical situations forced to do repetitive or meaningless actions plots that are cyclical or absurdly expansive and every a play or dismissal of realism, in attempt to reflect the absurdity of human existence.The aim of absurd plays is to startle, scramble and shock the viewer, waking him up from his boring and conventional life of e genuinelyday concerns. The Theatre of the Absurd was something only new and rebellious to the viewers and was indeed, like some of the playwrights liked to call it, anti-theatre. It was surreal, illogical, conflictless and plotless. The dialogue was total hoax and expectingly without meaning. Unsurprisingly, it was first received with disapproval and lack of understanding.Jean Anouilhs play Antigone, originally produced in genus Paris in 1942, is a tragedy inspired by and adapted from the ancient greek classic Antigone by Sophocles which was first performed in Athens in the 5th century B.C. The changes he made to the plot, may count slig ht in some cases, but create a very different work and theatrical experience with a new taste of political and moral criticism.The main distinction is that in Anouilhs version, from the very beginning, a member of the chorus steps forward to perform the prologue, introducing the audience to the plot and the characters of the play. Anouilhs chorus has a very different purpose though than Sophocles had and is of vital significance for the play, ceating a detachment from the play at times in order to address the audience directly. At one point he indicates the difference between melodrama and tragedy, suggesting that Antigone be part of the latter, meaning that her fate is clear and unavoidable.Walter Ince, asks the following philosophical question with an absurd feeling, responding to Anouilhs tragedy If life evokes such complete hopelessness, where is the tragedy in leaving it?. When performing this play sequence applying absurdist theatre techniques, we want to keep this feeling o f hopelessness alive and demonstrate the absurdity of life. Anouilh has already created a slight absurd feeling making things easier already. His sophisticated distancing of the plot and constant reminder to the audience of the fact that they are merely watching actors in a play seems to me very absurd and anti-theatrical.I theorize this would confuse the viewer and alienate, maybe even irritate and annoy the viewer, as it definitely did in the time of the original performance. Additionally, applying some of the standard absurdist techniques such as having the characters repeat meaningless actions or make the situations seem hopeless absurd. Especially aspects from the play that already seem slightly absurd should be promoted, such as Queen Eurydice knitting until she goes to her room and dies or the three guards that play cards, completely oblivious to the tragedy enrolling forward them.On that point, the director would have to decide if he wants to stay true to Anouilhs original text or if he wants to change the dialogues, in which case one could take the meaning out of conversations or go in nonsensical sentences, make the characters talk past each other, without completely losing the plot. The stage setting could be either overly surrealistic, further contributing to the audiences confusion or completely simplistic going as far as not having a setting at all, further emphasizing the anti-theatrical aspects and adding to the alienation of the viewer.SourcesCarlson, Marvin. 1993. Theories of the Theatre A Historical and Critical Survey from the Greeks to the Present. Expanded ed. Ithaca and London Cornell University PressInce, Walter. 1968. Forum for Modern Language Studies Prologue and chorus in Anouilhs Antigone IV, pp. 277 84Freeman, Ted. 2000. Antigone Commentary, Anouilhs Antigone. Methuen Drama Student Edition, London, Methuen Publishing