A comparison amid the above soliloquy and Macbeths previous soliloquies in 1.7 and 2.1 reveals a key change in his character. Macbeth is again contemplating dispatch, but what impels his deliberation this prison term is not guilt and shame but panic and rage. The murder of Duncan has made the murder of Banquo a necessity and, more significantly to Macbeths character development, a facile task. Gone is any conform to of the humanity under the vaulting ambition -- gone are the moments of reflection and regret that prompted this Duncan/Hath borne his faculties so meek (1.7.

17) and that incited the shameful supplication Thou sure and firm-set earth, Hear not my steps (2.1.56).
Macbeth throw overboard his soul with the murder of Duncan. What is left now is the husk of a man who shows not a hint of compunction as he plans the murder of his noble friend. There is no contrition afterward the deed either. He was unable to say Amen after Duncans murder; now he effortlessly says give thanks to the hired assassins who slay Banquo, adding maliciously, There the grown serpent lies (3.4.38).
What makes Macbeth a tragic character and saves him from becoming a one-dimensional monstrosity is that he is perpetually conscious of his evil choices. He is poignantly aware of the rapid deterioration of his humanity, as we will see...If you indirect request to get a full essay, order it on our website: Ordercustompaper.com
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