Our protagonist does what any fair person would do: he leaves. Amir and Baba sneak crosswise the border into Pakistan and catch a flight to America. The middle of the sassy takes place in Freemont, California. This setting in many slipway is a place of exile. This section struck us as the most realistic entirelyy rendered. Hosseini provides us with moving portraits of displaced Afghans: Baba, who works all hours in a gas station; Amir, who adapts rather slow; and the Taheris, who uphold traditional values with all the stringency and get-up-and-go typical of displaced communities.
Amid the piles of junk at the flea market, Afghans gossip and consider their homeland while drinking Coca-Cola and coffee.
The final third of the novel describes Amirs return to a decimated Afghanistan. The Soviets, Afghan warlords, and the Taliban have turned Amirs country into a bona-fide mess. One paragraph begins rather simply with this prison term: Rubble and beggars (20.11). That about says it. There are smashed Coca-Cola signs, beggars merchandising their prosthetic limbs, orphans, and a general lack of infrastructure. Hosseini also presents the Taliban as a terrifying combo of religious fanaticism and tempestuous opportunism.If you want to get a full essay, order it on our website: Ordercustompaper.com
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