Flannery O'Connor's Short Story "The Comforts of Home"

He regrets beingness amused at this behavior and he regrets non having " regularise his foot down" as his father would thrust done(354). save, most importantly, Thomas never examines his develop's motives for taking on the young woman and her problems.

Since the contributor is limited to Thomas' point of view, some time passes in the beginning the reader asks about his bring's motives. At first, it seems as though his mother is simply becoming senile or mad. The reader expects to be told about her problem. But, as this does non happen, the reader begins to question her actions. The consequence is given in the rise of the story. But at that point, of course, the reader is focusing on the action and does not yet inhabit how unreliable Thomas is as a narrator. in the interruption of the story, when Thomas sees the girl returning with his mother, he concludes that there is nothing to do but pack his bags and leave. He believes, however, that his mother is numeration on his attachment to the comforts of his old home to oblige him from carrying out his threat to leave. The reader carries this assumption for a while. But as the story is recounted as it led up to the opening situation, the reader comes to understand that his mother was doing something very different. She did, indeed, know how tie he was to his home. This knowledge led her to take very ingrained actions. She wanted him to leave and knew that nothing but the most upset shock could get him out.

O'Connor, Flannery. "The amenities of Home." Everything That Rises Must Converge. 1965. Three by Flannery O'Connor. New York: Signet Classic, 1983. 351-70.

Thomas reflected, at the beginning of the story, on how he loved his mother "because it was his temper to do so" but, at times "he could not endure her love for him"(353). The reader forms the tender that the mother's love is kill and demanding, that she is over-attached to Thomas and that he lives in her house because she cannot bear to withdraw him go.

This, of course, turns out to be a wrong impression. But it is the impression Thomas would interchangeable to have. Instead, Thomas is uncomfortable with his mother's love because "he sensed about him forces, invisible currents beyond his control"(353). What he sensed was the true nature of his mother's love. Only an infant loves his mother "because it [is] his nature to do so" (353). In a shape situation p bents love their children by wanting them to leave the come near and become part of the world. His mother feels the same way and these argon the currents that Thomas senses around him. He does not understand them because he does not choose to understand them. His illusions about his mother are constructed around his main goal of staying at home and not being budged.

erstands this, Thomas becomes a fairly reliable narrator. Everything he perceives about his mother's motives and intentions is wrong. When he tells his mother that his father would have put his foot down; "the old lady stiffened, 'You,' she said, 'are not like him.'"(360). Thomas perceives this as a compliment. But, since the reader understands that nothing he sees
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