Paul Robeson "Autobiography"

The one son who did not secure a profession was "unsuccessful" because he would not endure the slightest racist action directed toward him, and so was continuously in trouble for fighting.

This encapsulation of capital of Minnesota's family may sound as if the Robesons lived a rather comfortable life of easy success---two ministers, a teacher, a doctor, and the multi-layered success and fame of capital of Minnesota. In reality, Paul had a poverty-ridden childhood ample of tragedy. Paul's mother was burned to death when he was six. Then William lost his position at the church. As Paul said, "Poverty was my beginning." William had to say a job at a grocery store, and Paul, with his young siblings, was sent to live with other family members.

Still, poverty-ridden or not, Paul had instilled in him the three values which would hold him in good post throughout his life--- base, religion, and personal integrity:

Robeson's roots were established in a religion that reveals African influences through musical creativity that allows virtually no break between the sacred and the secular. . . . The billet of the Negro home in that process deserves attention. . . . Throughout his youth, Robeson's return insisted on "personal integrity," which included the idea of "maximum world fulfillment." These values were related to an ethical system that favored what Robeson would have a go at it to see as socialist rather than capitalist values.

The home was the root of all of Paul's later convictions and

As a result of such statements, which were taken as traitorous by some right-wing Americans who had no handle for the black struggle for freedom and comparison, and no appreciation each for the right of free speech guaranteed by the Constitution, Robeson was stopped at the border as he was about to enter to pee-pee a concert. He was read an executive order that

forbade him to wad foot outside the continental United States on penalty of fin years in prison and a five thousand dollar fine. It added that U.S. border personnel had been instructed to apprehend him by any means necessary if he tried to intersection any border---an obvious threat that he might be shot if he tried to leave the United States.

Paul Robeson was not the only leftist American shocked to call for the reality of life behind the Soviet Iron Curtain. Upon discovering the horrors of Stalinist Russia, Robeson began to withdraw from political involvement of an ideological nature, although he remained a staunch and active supporter of the cause of black rights and equality his whole life.

Paul grew in his theatrical skills and accomplishments. His son writes that Paul "starred in over ten major plays in the U.S. and in England." Some of his theatrical achievements included the role of detonator in Porgy and Bess; singing 'Ol' Man River' in demo Boat; and starring in three Eugene O'Neill plays---All God's Chillun, The Hairy Ape, and The emperor moth Jones. However,

Reverend Robeson had prepared his son well, and Paul excelled in everything. He won the major oratorical contests four years in a row; he gained the distinction of winning America's highest bookworm honor, the Phi Beta Kappa key, in his junior year; and he was doubly named end on the All-American football team, making him the first All-American in Rutgers history. . . . He earned letters in football, baseball, track, and basketball.

I admiration that there is no hint of servility in my father's makeup. safe as in youth he had refuse
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