The Ride Down Mt. Morgan is a play by Arthur Miller.

He is involved in a serious car accident, and finds his tawdry life paraded onwards his eyes as he recovers in the hospital. One of the lesson messages of the play is that the sins of one's past will eventually catch up with one.

The end of the play provides some sign that redemption for Ly reality, incredible as it may be, is not impossible. He says to Bessie:

. . . I'd give anything for your forgiveness. yet you deserve the whole damn truth. ---In some miserable sinfulness corner of my soul I'm still not authentic wherefore I'm condemned! (He weeps helplessly) (138-139).

The question moth miller leaves us with is whether a man ordure truly be forgiven if he is not even sure what he has done wrong in the first place. Nevertheless, Miller shows us that Lyman does still put one over a soul in the character's appreciation of the simple love which the nurse enjoyed with her husband and babe while fishing on a lake. After his family leaves, Lyman is asked by the nurse if he wants something for his pain, but Lyman insists that she stay and talk to him. He asks her what she and her family talk well-nigh when they are fishing on the lake. She responds:

. . . Well, let's suck up . . . this last time we all bought us some raiment at that big Knapp Shoe Outlet up in that respect?---they're seconds, but you can't tell them from new (141).

In the heyday of his covetous selfishness, Lyman would have scorned the nurse and her family and their conversation about a sale on shoes, but in the dawning sparkling of his pos

Then explain to yourself how this worthless, loveless, dangerous clam could have single-handedly made two much(prenominal) different women happier than they'd ever been in their lives. . . . In fact, if I dared learn the whole idiotic truth, the only one who suffered these past baseball club years---was me! (93).

Doc loves life, but in that respect is a sadness about him which keeps his joy rooted in the real world. He loves serviceman beings, but he recognizes that they are a flawed component part:

Its inhabitants are, as the man once said, "whores, pimps. gamblers, and sons of bitches," by which he meant Everybody. Had the man looked through another peephole he might have said, "Saints and angels and martyrs and holy men," and he would have meant the same thing (1).

As proprietor of this establishment, Doc is meant to be an earthly god of sorts, and if there is any doubt about that fact, Steinbeck quickly removes it:

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