Shakespeare links the single and the dry land at large in the first-year two lines when he notes first his own fears and indeed the "fears" of the whole world:
Not mine own fears, nor the Delphic soul
Of the wide world dreaming on things to come,
Can insofar the lease of my true love control,
Supposed as chuck up the sponge to a confined doom (1-4).
This link is important, signifying the carriage individual operates are governed by the signs used to make prophecies and the way broad world-wide disasters leave alone affect individuals as well. Because of the signs in the world at large, the individual thought his love would be forfeit by this time. The signs were wrong.
Of course, this does not mean that the poet has lost his belief in signs; it is and that the signs have changed so that like a shot the future looks much brighter:
Incertainties now crown themselves assured,
And peace proclaims olives of endless age (7-8).
In the first four lines, the poet notes the fears and prophecies and how they have not affected his love. In the beside four, lines he details how the world has changed from the time of the earlier prophecies and how the world has resol
Fame is the motivation for the action interpreted by a battler like Beowulf, so that the hero will be remembered by the people, and the giving of gifts is another way of assuring that the hero will be remembered. This drive toward fame is the geomorphologic basis of magisterial high society, as can be seen in the story of the fabled Scyld in the prologue to Beowulf. The poet describes how he comes to rescue the lordless Danes from anarchy and to establish for them the Scylding dynasty. He gains his position through tweet against neighboring tribes until he obtains their submission and tribute, and this is the way a force should behave. Generosity on the part of the ruler is essential in this society.
The next four lines, from 9 through 12, combines the ideas from the first two stanzas. Here the poet looks to the future after dismissing the past and celebrating the present. The future is brighter as he sees how fresh his love has become, and he challenges death and holds that he will be able to make death go on to him. Specifically, Shakespeare will overcome death through the immortality he will achieve in this poem:
This is the case in Beowulf, where Beow is a hero among his people but travels to Heorot and offers his assistance in ridding the farming of its attacker. The hero is also revered in this society, indeed in both his own social setting and in Heorot, though he is expected to prove himself. The poem depicts a society which includes both the pagan worship of early Britain and the Christian religion which supplanted it. This society worships the hero, and the hero is one who not only performs heroic deeds but also acquires bounty which he shares with his followers. The secret poet indicates the scope of the work in the opening lines:
Since, spite of him, I'll live in this poor rhyme (9-11).
This foreign army is categorised as fierce, as "slaughter-wolves," "war-hard," and as "loathed strangers." Both Beowulf and the Vikings of this later stoppage have
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